1. Dance of Eros (The Taming of the Shrow) 2. Suono originario (Prelude) 3. Anima e Amore (Romeo and Juliet) 4. Chant et Deport (Romeo and Juliet) 5. Pas de deux (The Taming of the Shrow) 6. Notturno (Romeo and Juliet) 7. Infernal duel (Othello) 8. Othello and Jago (Othello) 9. Comig to Venice ( Othello)

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New Donella Del Monaco CD: Shakespeare Ballet!

Shakespeare Ballet began as ballet music, following a project conceived together with the Arena Ballet of Verona ("The Venetian Dream of Shakespeare", 2005 season) that was dedicated to the Shakespearean works set in the Veneto region ("The Taming of the Shrew" in Padua, "Romeo and Juliet" in Verona, and "Othello" in Venice). The musical elaboration is based on many techniques, not only from a compositional point of view, and it is enriched by electronic sonorities, computer elaborations and guided instrumental improvisations. I have re-elaborated the work of many creative interpreters, including pieces by musicians of the Opus Avantra ensemble.

La musiqe de Shakespeare Ballet a été conçue comme une musique pour ballet,à la suite d'un projet concordé avec le ballet de l'Arène de Vérone ("Le rêve vénète de Shakespeare" en 2005 ) dedié aux traveaux de Shakespeare qui ont comme ambiance certaines villes de la Vénètie ("La bisbetica domata"-Padoue, "Roméo et Juliette" - Vérone, "Othello" -Chypre-Venise). L'élaboration musicale est nautie de différents techniques non strictement compositives au sens courent,mais aussi de sonorités électroniques, d'élaborations d'ordinateur et d'improvisations instrumentales programmées. J'ai aussi retravaillé l'apport de plusieurs interprètes créatifs, certains font partie du group musical Opus Avantra ensemble.

Shakespeare Ballet nasce come musica per balletto, in seguito ad un progetto pensato assieme al balletto dell' Arena di Verona ("Il sogno veneto di Shakespeare" stagione 2005), dedicato ai lavori di Shakespeare ambientati nel Veneto ("La Bisbetica domata" -Padova, "Giulietta e Romeo" -Verona , "Otello" -Cipro-Venezia ). L'elaborazione musicale si avvale di molte tecniche non solo compositive in senso stretto, ma anche di sonorità elettroniche, di elaborazioni al compiuter, di improvvisazioni strumentali guidate. Ho rielaborato l'apporto di molti interpreti creativi, alcuni dei quali fanno parte del gruppo Opus Avantra ensemble.